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The inevitable Matt Smith post (slightly later than planned)

Posted by Richie on January 24, 2009

See, if there was ever a time when the idea of re-casting the Doctor as somebody other than a young white dude was likely to be taken seriously, it was during the search for Tennant’s replacement. Tennant is, crucially, the first Doctor who’s unquestionably been the focus of the series, both in terms of the character and the actor playing him. The idea of any other Doctor having a cross-dimensional affair with Madame de Pompadour would seem a ludicrous premise for a fanfic, let alone an actual televised episode, but post-Eccleston we’re supposed to accept whole stories revolving around the Doctor’s personal life as an integral part of the series, leaving the companion with… Well, exactly. Rose is remembered as the iconic new series companion not because she was the first or the longest serving, but because being paired with Eccleston’s tactless, brooding Doctor made sure that she had to carry thwacking great chunks of the narrative on her own. Paired with a Doctor who can do all the running, swordfighting and technobabble as well as be charming, sexy, approachable and capable of having tragic love affairs, on the other hand, she was surplus to requirements. So, in fact, was everybody else; Martha was only given things to do when the Doctor was either amnesiac or trapped in a dog kennel, and they didn’t even bother with Donna, who was explicitly pitched to us a “sidekick” rather than an identification figure (see especially “Forest of the Dead”, where they just stick her in a VR world for the entire episode while the Doctor figures out the mystery and saves everybody on his own).

This approach worked because Tennant’s performance was good enough to hold the stories together almost single-handed, but by the same token, over-reliance on the leading man meant that he’d be almost impossible to effectively replace. There are obvious parallels with Tom Baker’s departure here. Despite some astonishing cock-ups later on, producer John Nathan-Turner knew exactly what he was doing in 1980, and reasoned that giving the public Tom Baker 2.0 was never going to work out. A sub-par Baker clone would have been a disaster, but even if the perfect replacement bombastic loon were found, the comparisons to his predecessor would rob him of any chance of being seen as anything but a replacement. So, instead, he went for the deliberate contrast to Baker’s portrayal, and in Peter Davison we got a younger, quieter, vulnerable, curious Doctor. Aware that the series was reinventing itself, people who were curious or had simply gotten sick to death of Tom Baker’s shtick tuned in again, and the audience of his debut episode was almost twice that of Baker’s swansong. Eccleston was the same in 2005, since everybody was expecting a generic fantasy Englishman, and casting a dramatic heavy in a big leather coat proved that we didn’t know what to expect.

But the current series revolves far more around Tennant than the old series did around Baker. By the time of the great sea change, Baker was basically there to goon around and provide comic relief in stories that were too lightweight to need it in the first place, whereas the 2008 season gave us “Forest of the Dead”, an episode that relied largely on the audience’s interest in the Tennant-Doctor’s love life as its means of generating impact, and that’s only the most egregious example of late. A replacement who was also meant to be charming, sexy, approachable and haunted by failed love affairs would have, logically, been a bad move under these conditions because, with Tennant as a lead, the show took these aspects of the Doctor as far as they could reasonably go. The obvious replacement for Tennant, then, would be a grumpy, volatile bastard, which is why I briefly considered betting on Robert Carlyle. Except, hold on, something like that wasn’t reasonably going to happen, was it? After four years of Tennant himself being the drawcard, a lead who wasn’t instantly audience-friendly could easily doom the series.

Can you see what I was getting at in the first sentence, now? The anti-Tennant would be too much of  a risk to be plausible, while Tennant 2.0 would be too likely to backfire, so for those two months it seemed genuinely plausible that we might get a Doctor who wasn’t either white or male. A move like that would have allowed the production team to give us a Doctor who still fitted into the vaguely Tennant-shaped gap, but the break with tradition would have been a big enough shock to the system to stop his / her every waking moment being judged against Tennant. It would also open up whole new places for historical stories to go; all the Season 3 historicals managed to get varying degrees of mileage out of people’s attitude toward Martha, but there she had the white male Doctor to stick up for her. Take that away and you’ve suddenly got a lot more potential, because historical stories might be forced to address the social issues of their setting head on, rather than treating the past as somewhere to fight CGI witches. And since the whole four-dimensional romance aspect is starting to get more than a bit staid, having one of the Doctor’s former squeezes reunite with him only to discover he’s a woman now is one of the few things that could actually make this plot strand interesting again.

This is, of course, all academic now.

Matt Smith might well be the best actor to ever take on the role, but purely by virtue of him being a slightly odd skinny dude with hair like Tintin, he’s going to have a hard time distinguishing himself sufficiently from Tennant. It could work if, like Davison, Smith’s Doctor took a step back from the action and the series focused more on the people and places he visits. However, given that Smith’s era will be overseen by Steven Moffat, author of the most excessively Tennant-centric scripts in the series, this probably isn’t going to happen. On the plus side, he’s less likely to expect us to be surprised and delighted by aliens landing in contemporary London every fortnight.

Still, while we’re considering what might have been, let’s piss this guy off, if only hypothetically. Who would you want as a black female Doctor? My vote goes to Nisha Nayar:

For starters, she’s already been both versions of Doctor Who – “The Parting of the Ways” in the new series (coincidentally the same story as Patterson Joseph) and “Paradise Towers” in the old one (coincidentally the only tolerable story from 1987) -  so she’s clearly not averse to it. We know that she can engage with children, because she was a regular in Tracy Beaker and played Mowgli in an audio version of The Jungle Book. She was also in one of the Cracker specials (the good one), so there’s another Eccleston connection. I’m not sure how good she is at swordfighting or scaling buildings, but surely that’s what the companion’s supposed to do, yes? I also fancy her, but that’s beside the point.

18 Responses to “The inevitable Matt Smith post (slightly later than planned)”

  1. QoT said

    You have so perfectly summed up my feelings about Smith. I was a bit too cynical to really hope for a non-white/non-male Doctor, but I was at least hoping for a not-young, not-Tennant-quirky Doctor.

    I’m certainly open to the notion that Smith will be fantastic and go in a different direction and blow all our socks off … but I wouldn’t put money on it.

  2. Selesen said

    Yeah, this is basically my feelings on it as well. I actually like Matt Smith, I think Steven Moffat is a fantastic writer, etc. But it’s still frustrating that it’s another white guy. I was really really hoping for a woman. I mean, Roger T. Davies even named a few actresses he thought would be good as the Doctor! (One of them was Catherine Zeta-Jones, but still…)

    I guess now I just hope they’ll do something really interesting and different with the Companion.

    …or turn the Doctor gay. Hey, that could work! Right? Maybe? …no? I don’t know. Can he change sexual preference with the regeneration? We can hope.

  3. Richie said

    I always thought he was bisexual, a la Jack, but with other things on his mind; it’s complicated by him not really having a sexuality beforehand (since the companion relationships were basically paternalistic), apart from what can be inferred from Susan calling him “Grandfather”, and then suddenly he’s involved in suggestive handcuff-related activities with Alex Kingston. Having a gay male companion involved in Doctor-lust would be interesting.

  4. I never really expected them to cast a woman as the Doctor – due to that whole ‘but men won’t watch women’ thing. I was, however, really really hoping this incarnation wouldn’t just be another freaking white dude. I know it’s ridiculous to apply logic to DW, but does it really make any sense to have an admittedly alien individual who can regenerate into anything, to always be a white guy? Seems ridiculously limited.

    That said – I loved Donna (nice to see a companion not lusting after the Doctor) and was growing to hate Ten’s holier-than-thou-wounded-lover routine. Since I obviously won’t be seeing anything new in the new Doctor, I hope Moffat continues the trend started with Donna – where the companions are there as friends, not OTPings or unrequited love slaves.

  5. Richie said

    We came close to getting a black Doctor in 1966, except he would still have been played by Patrick Troughton under heavy makeup, so it’s probably best for everybody concerned that it didn’t happen.

  6. bellatrys said

    I hope you are properly sorry. All this reposting of wingnuttiness DOES have real-life consequences, you know, and what happens when one’s exposure to the “ZOMG Tokenism!PC Gone Mad!” ravings in fandom goes over the recommended amount in too short a time – well, when brains short out the results can be quite unpredictable.

  7. Richie said

    Oh, that was lovely! I’d comment over there if I could remember my LJ details.

  8. MaggieCat said

    I was in the group who’d gotten very attached to the idea of Paterson Joseph, but I was still a little surprised how depressed I was when they went with someone so close to the Tennant mold. I’m starting to suspect that, barring a truly huge surprise, this might be the death knell for my interest in DW. Not just because of the casting news — I was already very wary of Moffat taking over because I’m not nearly as impressed with most of his episodes as everyone else seems to be and I think his track record with female characters is kind of awful. Which is especially disappointing when that’s one of the things I’ve always liked so much about RTD’s work, on DW and elsewhere. So while the decision to go with another (very) young white guy is more a symptom than a cause, I still think it’s adding to overall “meh” sentiment I’ve had about the series since Donna’s departure.

    (On a different track however, the whole “he’ll never be as good” etc. from people who seem to hate change that I keep coming across is making me feel very bad for Smith and seems somewhat melodramatic. Maybe it’s because I came across it accidentally since there are only about two places online that I come across anything in this fandom so I was unprepared for that level of garment rending. And I only started watching because of Eccleston and didn’t do that until people were coming around to at least not hating Martha automaticallyfor not being Rose, so I’ve never gotten particularly attached to any actor/actress since I knew it was pointless going in and can’t sympathize. But it’s all contrasting oddly with the aforementioned ‘meh’ and making me root for Matt Smith kind of against my will, but I suspect my annoyance with Moffat’s issues will still win out in the end. Why I can’t jump immediately to the not caring? I have no idea.)

  9. Richie said

    There’s an article on Moffat’s less-than-stellar female characters here, but it’s quicker just to quote the man himself:

    There’s this issue you’re not allowed to discuss: that women are needy. Men can go for longer, more happily, without women. That’s the truth. We don’t, as little boys, play at being married – we try to avoid it for as long as possible. Meanwhile women are out there hunting for husbands.

    I think my biggest issue with Moffat’s writing is that it seems self-conscious, like he’s going out of his way to include audience-pleasing elements X, Y and Z regardless of whether their presence makes any sense. Whereas with RTD, you get the impression he’s writing things because he thinks they’re interesting, even if the audience might end up hating them. So I’m actually kind of optimistic about his promotion to overlord, because he might spread the plot devices out across the entire season and ensure the surrounding stories are in some way relevant. The terrifying alternative is a season where the Doctor forms an instant emotional bond with a mysterious woman who initiates a time paradox and dies tearfully every single episode.

  10. MaggieCat said

    Ugh, I remember that Scotsman interview, and I think that part is tied for least favourite with this one:

    “Well, the world is vastly counted in favour of men at every level – except if you live in a civilised country and you’re sort of educated and middle-class, because then you’re almost certainly junior in your relationship and in a state of permanent, crippled apology. Your preferences are routinely mocked. There’s a huge, unfortunate lack of respect for anything male.”

    I… I just barely know what to say. It starts out just fine but then rapidly descends into someone who’s taken criticism about a system biased in favour of men as a personal attack, and that almost never leads to anything good.

    I hope it doesn’t sound like I loathe the man or anything, he has some seriously good twists sometimes (the story he told on the commentary about where the idea came from for the Donna blipping from location to location without traveling in “Silence in the Library” was a damned funny jab at the conventions of television), it’s just really hard for me to appreciate those things the way I’d like when I’m too busy fuming about the treatment of Miss Evangelista — I seriously cannot think of a writer who would expect anyone to buy that “I am brilliant, and unloved” tripe from a male character — and if River Song is any indication, I am really nervous about what’s going to happen when he’s given free rein to create companions on his own. (Disclaimer: loved “The Runaway Bride”, still have the lingering urge to stitch “I Wanna be Donna Noble When I Grow Up” on a pillow.)

    That’s where casting a Doctor who isn’t young/white/male might have balanced things out nicely if they’d used a few of those traits for the companion and what seems like his inclination to promote that guy to center of the story would be counterbalanced by the fact that you can’t very well lock up the Doctor in a computer for two entire episodes. Otherwise I’m a little afraid that his female characters will continue to fit neatly into one of the Mommy/Courtesan/Bimbo/Mary-Sue-with-no-substance categories who just support the awesomeness of the Doctor and those humans he carpools with.

  11. Richie said

    The other thing that’s annoying is that he proved he could do decent female characters back in Press Gang, but then, I don’t know, he gave up or something? In my mind the reason Who has been so strong under RTD is that – when he’s on form, anyway – he cares equally about all the characters in every episode, so they all get their own speech patterns, backstories, personalities etc. regardless of how important they are overall. Whereas a lot of Moffat’s characters have been either plot devices or witticism-delivery systems, so, yeah, I’m kind of worried about what kind of companion he’s going to come up with. There’s been a lot of “Sally Sparrow should return as a full-time companion” talk online, but if you compare “Blink” to “Rose” / “Smith and Jones” / “The Runaway Bride”, she barely registers as a character, despite having more screen time.

    Also, Miss Evangelista’s nowhere near as brilliant and unloved as I am.

  12. bellatrys said

    Thanks – and you can comment, Richie, I allow anonymous comments on my LJ. (Just type your sig at the bottom like it was an old-tyme message board.)

    Also, way to fail, Moffatt! Someone else who needs a seat on this week’s Big Name Fandom failboat.

  13. Selesen said

    Re: Gay/Bi Doctor; He may be bi technically, I don’t know, but it doesn’t really matter until there’s some sort of action indicative of that. “Bi technically but always goes for ladies really” doesn’t cut it. (Not trying to argue, just sayin’.)

    And I’m really disappointed to hear that Moffat said things like that. I’ve always enjoyed his episodes a lot, but I never paid much attention to his gender politics. I thought that Nancy in The Empty Child was really cool, but then again, she was in a very traditional female role.

  14. Richie said

    Yeah, I get you; the closest we’ve had has been of the “He doesn’t seem to mind men fancying him” variety, like with Shakespeare / Jack (although the 4th Doctor was blatantly having it on with Shakespeare, given the amount of innuendo in “City of Death”).

  15. Richie said

    So is anybody else finding themselves singing “Moff-at” to the theme from Top Cat, or is it just me?

  16. MaggieCat said

    Probably only because I haven’t got the foggiest what you’re talking about.

    I hadn’t thought it that far through until you mentioned it but looking at some of Sally Sparrow’s lines now, I can hear them coming out of River Song under the right circumstances. Which is weird because at the time Song reminded me of a smug Mme. de Pompadour. That doesn’t bode well, even if Nancy still stands well on her own. Part of the problem is probably that the only place I’ve ever seen Moffat’s work is on DW and there aren’t very many episodes to go on, and RTD certainly isn’t perfect in this regard either, but even going by percentages… All appearances to the contrary I am actually attempting to withhold some judgment until Moffat’s first female villain shows up because I do love those.

    And now I’m wondering why all of his stories so far have had a huge part of the story revolve around a woman. This show is far better than most at simply remembering to include women as an equal number of the guest stars, but I’d never noticed before and now it seems weird that none of them were antagonists. Huh. I wonder if that’s part of my problem.

    There’s been a lot of “Sally Sparrow should return as a full-time companion” talk online, but if you compare “Blink” to “Rose” / “Smith and Jones” / “The Runaway Bride”, she barely registers as a character, despite having more screen time.

    Yeah, that’s part of the problem I had with her — she’s following breadcrumbs from the Doctor (occasionally via proxies) for most of the thing, which isn’t really that riveting. I know it can be argued that he got the information from her but it doesn’t feel that way to me. Admittedly, time loops make my head hurt after the fourth run through. (Frankly, I’ve suspect a lot of why Sally was so very likable was due to Carey Mulligan ever since I saw her in an adaptation of Northanger Abbey last year: anyone who can make Isabella Thorpe seem like anything other than an insufferable little snot obviously has ‘endearing’ coded into their very DNA.)

  17. Richie said

    Moffat!
    The indisputable leader of the gang.
    He’s the boss, he’s a pip, he’s the championship.
    He’s the most tip top,
    Moffat!

    I read another interview with him where he said he’s looking forward to writing the kinds of stories people don’t “expect” of him (implying he was self-consciously fulfilling perceived expectations with his last few, which explains a lot), so I’m, uh, provisionally optimistic.

  18. Steve said

    I dated Nisha for a while when we were young, about 19 years ofr age.She used to take photo’s of my band The Wild Kitchen, she is a really nice girl.

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